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        <dc:title>KINOSSENARIYLAR MATNLARIDA AKSLANGAN METAFORIK VA SIMVOLIK (RAMZIY) ANTONIMLARNING LINGVOKULTUROLOGIK XUSUSIYATLARI TAHLILI</dc:title>
        <dc:creator>Raximova, Feruzaxon</dc:creator>
        <dc:description>&lt;p&gt;&lt;em&gt;Ushbu maqolada ingliz va o‘zbek kinossenariy matnlarida uchraydigan &lt;strong&gt;metaforik&lt;/strong&gt; hamda &lt;strong&gt;simvolik (ramziy)&lt;/strong&gt; antonimlarning lingvokulturologik xususiyatlari tahlil qilinadi. Kinematografik diskursda antonimlar faqat leksik-semantik qarama-qarshilikni emas, balki madaniy kodlar, emotsional baholash va ideologik qarashlarni ham ramziy darajada ifodalashi bilan ajralib turadi. Qiyosiy yondashuv asosida antonimlarning metaforik kengayishi, simvolik yuklamasi va madaniy-pragmatik funksiyalari yoritildi. Tahlil natijalari ingliz kinossenariylarida antonimik oppozitsiyalar ko‘proq shaxsiy tanlov va psixologik ichki kurash (individualizm) bilan bog‘liq holda, o‘zbek kinossenariylarida esa axloqiy-me’yoriy baholash, diniy-ruhiy dualizm hamda jamoaviy qadriyatlar (kollektivizm) bilan bog‘liq holda faollashishini ko‘rsatdi.&lt;/em&gt;&lt;/p&gt;</dc:description>
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        <dc:identifier>  Raximova, Feruzaxon  (2026) KINOSSENARIYLAR MATNLARIDA AKSLANGAN METAFORIK VA SIMVOLIK (RAMZIY) ANTONIMLARNING LINGVOKULTUROLOGIK XUSUSIYATLARI TAHLILI.  Innovation and development, 4 (5).  pp. 109-114.  ISSN 3030-3206     </dc:identifier></oai_dc:dc>
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